My semicolon tattoo

“Mummy, if you tell people you are in therapy, they will think you’re crazy.” Pause. “And I’m not saying you’re crazy. I’m just saying that if you tell people you’re in therapy, they will think your crazy.” Trouble is … sometimes I think I am crazy.

Talking about depression is hard, but not for the reasons you’d think. In this part of the world, depression is still considered a ‘white person disease.’ So I suppose it makes sense I have it, since I’ve often been called the whitest black girl around. Also, for some reason, all my baby’s friends (and their parents) claim I talk like a mzungu.

Depression is sometimes seen as a form of indulgence, because the people that admit to having depression are often upper middle class types in ‘prestigious’ industries like media, advertising, entertainment, or NGOs.

I suppose this is partly because it is people from those industries that would be open to therapy, treatment, and diagnoses. It is also people from those industries that can afford treatment, therapy, or diagnoses.

I read a study that said people in developed countries have higher rates of depression than those from the third world. The study concluded that such people have depression simply because they can afford to. And that’s what makes it hard to talk about depression – the fear – not of being thought of as crazy, but of being reduced to a ‘poor little rich girl.’

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To someone struggling to pay their bills or barely surviving from day to day, I must seem pretty shallow. Someone like me claiming to be ‘depressed’ must seem like an insult of massive proportions. I have a good job, a beautiful child, an above-average lifestyle, yet here I am claiming to be so low that I can barely get out of bed.

Here is a person with more than most people would dream of having … brazenly claiming she wants to die. I guess that’s why I’ve been described as seeking attention, emo, fake-deep, spoilt, bored, undersexed, ungrateful, melodramatic … insane.

And yet that’s what depression is. An inexplicable sickness that mocks all the joys and blessing in your life, leaving you feeling worthless and dead, like your existence doesn’t matter, and like the world would be better off without you.

In many ways, Robin Williams proved that to the world, and by his death, he spoke for all of us that live what he lived. Robin Williams is gone, but by some miracle, we’re still here.

A few days ago, I found out about Project Semicolon. It’s a movement started by Angela Bleuel in honour of her father, who killed himself when she was 18. She started the project to offer hope, love, inspiration, and encouragement to people struggling with depression, suicide, addiction and self-injury. In her words:

Angela Bleuel
“A semicolon is used when an author could’ve ended their sentence, but chose not to. The author is you and the sentence is your life.” 

Project semicolon says the tattoo serves several purposes. It reminds the owner that they shouldn’t give up yet. It shows others that this person is a safe space, that they understand, that they can talk about depression, suicide, and self injury. It opens up constructive, sympathetic discussions on self-harm and mental illness.

A few days ago, I got my very own semicolon tattoo. It’s my third one, and for me, it’s a reminder that I’m still here, and that as long as I’m still breathing, there’s always hope. Of course my baby thinks tattoos are super cool, so she showed my latest one to a family friend, and he asked what it was about. He has known me for just over a year, and I see him roughly once a week, but he didn’t know I have clinical depression. In fact, he says I’m the ‘happiest person he’s ever met.’

As we talked about it more, he seemed sobered. He said he’d only heard about things like depression and bipolar on TV, and had never met anyone who had it. He asked if it ‘just about being sad.’ I tried to explain that it was more than that, that in the deepest part of a depressive cycle, you don’t feel sad. In fact, you barely feel anything. You are literally the walking dead, and so you ‘feel’ that you might as well be. That’s what drives a lot of patients to suicide.

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Another cause is the relentlessness of this disease. You have a depressive bout. You see a therapist. You take medication. It lifts. Then after a few weeks, or months, or even years, the cycle re-ignites. Medication. Therapy. Another lift. Another downer. It gets to a point you just don’t want to do it anymore. You think the cycle will never end and you no longer want to waste your energy. Why bother even trying? So you make everything stop.

I could tell by the look in my friend’s eye that he couldn’t understand what I was saying. Especially when he asked in what sounded like puzzled frustration, ‘What’s so bad about not feeling anything?’

I have a few theories. I think that maybe my friend, being an African man, is used to suppressing and even ignoring his feelings, so he doesn’t see what the big deal is. Maybe that’s why more men commit suicide than women. Maybe they’ve been taught to keep their feelings deeply hidden, so even when they get overwhelmed by depression, they’d rather die than admit it. Literally.

Ironically, more women attempt suicide than men. Some people misinterpret this. They think suicidal women are simply seeking attention, while the men actually WANT to die and make sure that they do. They think teenage girls who cut themselves are just trying it out, the way some teenagers do drugs, or booze, or ‘experiment’ with gay/lesbian/bisexual sex. They think our failed suicide attempts are not ‘serious’ or ‘real’, especially when we have more than one.

*trigger warning: methodology mentioned below*

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There’s a line I remember from an 80s sitcom called The Facts of Life. In one episode, a girl overdoses and ends up in hospital. Her roommate says something like, ‘She didn’t really want to die. I had this one friend, she jumped off a building during history class. They didn’t find her for hours. Now that’s someone who wanted to die.’

And so you hear that women often attempt suicide by swallowing pills or cutting their hands. And you hear that they ‘didn’t want to die’ because if they did, they’d use a gun, or jump, or hang, or use efficient, ‘manly’ forms of death.

I know that on the three occasions I attempted suicide, I did want to die. I can also say I’m grateful for each failed attempt, because if I had succeeded, I would not be the mother of my beautiful baby almost-teenage girl.

I don’t know why I talk about depression so openly. I suppose it’s because there are people that can’t talk about it. I hope that in some way, my words tell them that it’s okay to be this way, to have this thing. Maybe if they know they’re not alone, then they’ll hold on one more day. Although, I suppose, the people that most need to hear this aren’t people that read blogs. Some of them aren’t people that read at all.

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My workmates have started noticing my new tattoo. One asked why I would spend 5K to have someone stick needles in my arm. Another wondered why I chose half a butterfly instead of a full one. A few others mentioned it was pretty. Only one asked what it signified. I told her it was about depression.

“Why would you brand your body with depression?”

“It’s more about getting over depression.”

“You have depression?”

“Yes. I see a therapist every week.”

“But … you don’t look like you have depression.”

“Neither did Robin Williams.”

And for that matter … neither did Omosh.

Oddly enough, some people are offended by my semicolon. They feel that wrist tattoos are only for cutters – people who slit their wrists to deal with the pain of mental illness. I’ve attempted suicide more than once, but I’ve never cut myself, except in the depths of my own mind. For me, the butterfly on my wrist keeps me going. It reminds me that my story isn’t over yet, and that when it is, it won’t be terminated by my own hand.

Ironically, in early programming languages, the semicolon meant ‘terminate’ and was used to end a command. So to some people – especially old school coders – the semicolon tattoo is backfired symbol of hope. I see it differently. Having a ‘terminate’ symbol on my wrist reminds me that the power to end things is literally in my hand. It’s all up to me. It’s a useful reminder to take a step back, breathe, wait this thing out, and live another day. I am my own terminator – or at least, I could be. And every time I look at my tattoo, I choose not to be.

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Besides, before all the drama with Maria and whatnot, The Terminator was pretty badass, no?

Finding Project Semicolon was a lifesaver for me. I’m in the middle of a depressive episode, and am about to start taking meds. Not many people can tell, because depressives are experts at covering things up. But as my not-so-little girl says, when you’re with someone all day every day, you eventually know all their secrets.

Inside Out is an animated Pixar film about a child with depression. Which makes it sound really terrible, but it’s actually quite cool. There’s a scene *spoiler alert* where the control panel goes dark. The Emotions panic as they realise that they can’t make Riley feel anything at all.

That’s the climax of clinical depression, when you feel nothing. And it’s at that point that many people kill themselves, because they truly believe that their loved ones, their neighbours, their kids – would be better off without them, and that this repressive darkness will never end. It’s hard to pull yourself back from that edge.

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As a person living with depression, I’m training myself to pull back long before I get to that point. When the darkness starts to creep in, I consciously think of my child, and how much she would suffer if I was gone. Then I look at my new tattoo, I breathe, and I say hold on girl, make it through one more day, this sh*t will pass.

It’s not always that easy. I have tons of support. Medication, loved ones, an awesome therapist. And yet there are still days I wake up wishing I had died in my sleep.

I know that I am blessed. I know that not everyone can get the help I’m getting. Not everyone can afford a doctor, or drugs, or a couch, or even the luxury to talk about their suffering. I just hope someone might read this and know they’re not alone, and that maybe the knowledge will keep them going a little bit longer.

Because with every day you open your eyes and face another day, no matter how horrible, draining, or debilitating that day might seem to be, you’re one step closer to getting better. And when you’re in that moment, please believe you’ll get better, because … take it from someone who’s been there … you can’t get much worse.

Omosh
A tribute by Fuad Ally

BurnEllie Goulding ♫

Breathing in dark spaces

I was talking to a blogger once, and he said what he hates about blogging is the comments. Not that he hates comments in themselves – bloggers love comments. What he hates is the content of comments. Because sometimes, the comments tell you that your readers missed your point. They read, yes, they liked, yes, they responded, yes, but not in the way you wanted them to. They heard what they wanted to hear, not what you were actually saying.

I argued that all writing is like that, even songs. A man writes a song about a dog and his girl decides the song is about her. For example, I know people who are convinced this song is about drugs. And I suppose it could be. Except when I first heard this singer, it was on a gospel station, so I’ve always assumed the song is about God. To that, my blogger pal said sure, but with a blog, people tell you what they think immediately, and sometimes, knowing you haven’t been heard can really hurt.

I bumped into a post over at Biko’s. He starts by introducing his friend, Wanjiru, who has recently resumed writing. In his starting paragraphs, Biko says all good writing comes from dark spaces, just like heartbreak songs. He then includes a pretty good piece by Wanjiru, all about instagram, exercise, and people getting fat.

Manny Ice Age
I’m not fat. It’s all this fur. It makes me look poofy.

In the comments, people rightly praised Wanjiru’s writing, because they could relate to it. It was a light, easy read, and they felt she understood them, that she was one of them. Her story touched people, as good writing should. It made a serious point, but made people laugh in the process. If you haven’t already, go over there and read it.

Something came up in the comments though. A few readers latched onto Biko’s comment about darkness breeding the best prose, and they asked him if he was happy, since he’s such a good writer. One commenter even said if misery was the source of his talent, then she kind of hoped he’d never be happy.

I’ve heard this kind of sentiment before. I was listening to Linkin Park with a friend, and we were comparing their earlier music to the stuff they do today. He said every time he hears ♫ Crawling ♫, he wants to walk up to Chester and ask, ‘Who hurt you?’ And then he wants to find that person and make them re-hurt Chester, so that we can hear that quality of music again.

Ed Sheeran sees it a little differently. He said in an interview that he writes the kind of songs that women listen to while crying and eating ice cream. True. He also says he’s a really happy person, because he pours all his sadness into his songs, and once the mood is out of his system, he feels great.

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I suppose it helps that people love the songs and pay mad money for his concerts – that would lift anybody’s mood. That’s not the only thing though, since lots of rich, successful musicians and rock stars end up drugged, miserable, and dead…

I think both Ed and Biko are onto something. I think that dark space inside us can produce deep, haunting, beautiful pieces of art and writing. But I also think there’s a danger in wallowing in that space. Chimamanda says there’s a certain awe – almost an admiration for depression in art. I recognise that feeling, because for the longest time, I held on to depression. I felt it was vital to my identity, that without it, I would no longer be … me.

But as I begin to heal and acquire coping mechanisms, I realise that you can be in that space for a while, then you can leave. It’s like a room in your house – your writing room maybe. And you can walk into it, do your best work, then lock the door and walk out into the sunshine. Gifted genius(es?) don’t have to be tortured.

So no, you don’t have to be Edgar Allen Poe or Van Gogh to be brilliant. You don’t have to write beautiful books, create haunting paintings, or sing heart-rending songs then shoot yourself or drop dead from sheer misery. Yes, you can pick up a pen or a keyboard when the black dog attacks, and use that hole to inspire sacred works.

Luka Sulic

Then … put down your pencil, lock up your instrument, shut down your computer, close your book, clean your paintbrush, go have some milk-free ice cream. You can use the evil in the world – and the darkness in your soul – to inspire art and gifted writing. You just don’t have to use it to inspire your life … or catalyse your death.

♫ Free ♫ Rudimentals ♫

Get over it!

I have this problem … I am … how you say … multidimensional. Not in the dictionary sense, but in the sense that I can see several different dimensions. And not in the quantum physics sense. To me, Quantum Physics is as intelligible as the theme song for Big Bang Theory. No, I don’t want you to explain it. I love the show though – up to Season 3 at least. After that …

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What I mean is I can often see both sides of an argument, and that can get really annoying. Also, draining. So I understand the people who say depression is an illness that needs doctors and drugs. And those who say we should just stop feeling low and feel awesome instead. I see the truth in those who urge us to keep our heads up and see each new day as a blessing. And the ones that want to punch them, because every new morning is torture when you wish you had just died in your sleep.

I feel the pain of friends and family members who ask, ‘Why didn’t I see it? Why didn’t you just ask me for help?’ And I can comprehend the ones who did ask for help and were dismissed because they ‘like their suffering’ or ‘just want attention.’

I know some people see suicide as selfish, because you don’t think about the suffering of those you’ve left behind. And I know what it’s like to be at the point of death, when you think you’re doing your loved ones a favour, when you’re convinced that they’d be better off without you, or worse, that they won’t even notice that you’re gone.

The thing with the suicide decision – because it is a decision – is that you feel it’s the only way out. No one can really understand it unless they’ve been there. And no one can convince you the feeling passes unless they’ve been there … and survived to see it pass.

Also, the saddest thing about (clinical) depression is it always comes back. You can manage it, like HIV or Sickle Cell or other lifetime illnesses, but it never really truly goes away. So if you’re at a point you want to die, some day soon, you’ll be at that point again. And sometimes, it’s the inevitability that makes you take that final plunge, because you want it all to stop, once and for all.

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Depressed people (and melancholics) are often accused of enjoying being down. After all, if you didn’t like that dark space, you wouldn’t keep going back to it, right? If you know fire burns, and you keep sticking fingers in it, you must really like the feeling, no? No. depression isn’t like that. It has no logic. It has no reason. It doesn’t even really have a cure. But it can be managed. And you have to want to get better.

I understand people saying that you can’t get better, not while you’re in the throes of the darkness.  They want to, but they just can’t. They don’t even have the strength to start. There is a breaking point though. And at that breaking point, you choose which way to go. You decide to make it stop. You jump off the cliff. But you don’t all jump into the same space.

You can jump off into death, where you believe the pain finally ends. Or you jump off into life and get help. By seeing a therapist, or having hands laid on you, or surrounding yourself with people who care, or cutting yourself off from those who don’t understand. Either way, it’s a cliff, and the only one that can jump off it is you.

I’ve been on this cliff a bunch of times in my young life, and I always jumped one way. This time, I decided to jump off the other, into the ocean of love, acceptance, and yes, professional help. Because this ish does end eventually. If someone is reading this and they’re at the wrong edge, I don’t judge them, because I get that. I’ve been there. I’ve felt the promise of peace, rest, an end to it all. But now I’m on the other side, and I see the hope of living, with or without this black dog.

 

In Chimamanda’s article, she said a lot of creatives suffer from depression. Some of us even glory in it, though not deliberately. We own it, embrace it, accept it as a part of who we are. It’s like we’re almost afraid that without it, we will lose the ‘magic’ of our art. I’ve done that. I’ve told myself how dark songs, dark work, dark poetry is so much more beautiful than happy stuff. Even Ed Sheeran agrees. Yes, he writes the kind of songs that ‘girls eat ice cream and sing along to,’ but he also says he’s a happy person because he puts all his sadness into music and feels better once those feelings are out of his system.

That’s the part we don’t think about – that after the catharsis of writing a depressing piece, painting a dark canvas, or singing about darkness, hades and death, the artist often feels better. Once the demons are down on paper or out on tape, the darkness goes with it. Not always, but often. Artistic muse inspires you, and it can also heal you.

Clinical depression is like AIDS. It’s a lifetime affliction, but it can be handled. And you can’t handle it alone. You have to get help. Because if you don’t get help, this thing can kill you. Again, like AIDS, no one can make you get help. You have to do that part on your own. And like AIDS, you have to seek that help from the right people. Not the ones who will laugh at you, or shun you, or tell everyone about you. You need the ones with skills that can fix you, the ones that will actually help you.

Because something is broken inside you. And if you want to stay here, then that something needs to be fixed, or at the very least, you need to learn the skills to deal with said thing. So don’t be afraid. Or be afraid, but get help just the same. Because no matter how many people want you to snap out of it, get over it, or think of someone other than yourself, there are others who want to help you through this, and they can. For their sake, and yours, don’t give up. Not yet. Not tonight.

♫ One thing ♫ Finger Eleven ♫